RADA’s Associate Director, Geoff Bullen, has directed Guys and Dolls, Into The Woods, Assassins, All About My Mother and Sondheim's Saturday Night. Other work includes All’s Well That Ends Well at the Cleveland Playhouse, Ohio; Cavalleria Rusticana and Tosca for Magdala Opera; the Edinburgh Festival premieres of Beside Picasso and Bacon; The Tempest at the Stadsschouwburg in Amsterdam; and the first performance of David Rudkin’s Red Sun. In October 2011, he directed the 59th year production of The Mousetrap at the St Martin's Theatre, becoming the 24th director in that production's history and he is currently at work on Penlee - The Loss of a Lifeboat with RADA graduate Joseph Kloska.
Ellis Jones, Theatre in London
Ellis has overseen the training of many of today’s most exciting British actors. At the Royal Academy of Dramatic Art he was Head of Acting 1993 to 2003, and as Vice-Principal (1998 to 2003) he was co-creator of Shakespeare in Performance, the highly successful collaboration between RADA and NYU Tisch London. More recently he has served as Creative Director of RADA’s Enterprise Company, producing educational and corporate projects, including British classical theatre productions on the Cunard transatlantic liner, the Queen Mary 2. He has starred in a number of situation comedies on the UK ITV channel and in televised Shakespeare productions, including as The Fool in "King Lear" for ITV, and as Elbow in "Measure for Measure" for the BBC. He was awarded an Arts Council Associate directorship, subsequently directing shows throughout the UK, and was Artistic Director of the theatre at Keswick, Cumbria. He worked as Consultant Director for acting programs at Tisch Asia in Singapore, and as a Visiting Director of the Shanghai Theatre Academy directed "Taking Steps" - the first-ever Mandarin-language production of a comedy by Britain’s most successful playwright, Sir Alan Ayckbourn. He is the creator of the on-line training resource Teach Yourself Acting and of its widely read blog.
Dr. Roy Kendall, Advanced Playwriting, Course Director
Actor, director, writer, and teacher, Dr. Roy Kendall has scripted films for both BBC and ITV and plays for radio, one of which won the Writers’ Guild of Great Britain’s award for Best Original Radio Play. He has had a dozen plays produced on the professional stage, including Body & Soul, for which he was nominated Most Promising Playwright and which was produced in the West End of London after a nationwide tour. He has taught at the Royal Academy of Dramatic Art (RADA), the Guildhall School of Music and Drama, and Morley College, where he was director of the Theatre School for many years. He was also adviser to the Emmy Award-winning BBC/HBO production Shakespeare: The Animated Tales.
Dr Amy Sargeant, British Cinema – London on Film
studied at the Universities of Cambridge, London, and Bristol. Formerly a production designer in film and television, she is currently reader in film at the University of Warwick. She has written extensively on British cinema, being the co-editor of British Historical Cinema (Routledge, 2002) and the author of British Cinema: A Critical History (BFI, 2005).
Brooke Sheldon, Program Coordinator
assists Mary Jane Walsh in the day to day running of the Tisch London Program. She has previously worked for one of Australia’s largest health funds in administration. She is a graduate of the University of Queensland, Australia. She holds a B.A in Anthropology and Australian history, an Honours degree in Anthropology and a Masters in Museum Studies. Her current research involves cultural heritage and Victorian Spiritualism.
Archie Tait, Advanced Screenwriting
Archie Tait is Head of Workshops at the London Film School. As Director of the Cinema Department of the Institute of Contemporary Arts, he established ICA Projects, one of the UK’s longest-established distributors of World Cinema, and introduced the work of directors Terence Davies, Jim Jarmusch, Pedro Almodovar, Chen Kaige, Hou Hsiao-Hsien, Luc Besson and many others. Moving on from the ICA he became Head of Development at Zenith Productions (Sid and Nancy, Simple Men, Velvet Goldmine) where he also produced many primetime TV drama series and serials. For ITV, he produced 100 hours of the long-running family drama Heartbeat. Archie teaches Writing for TV and Advanced Screenwriting for New York University Tisch School of the Arts London Program, and TV drama writing on the MA Screenwriting course at the London Film School.
Mary Jane Walsh, Program Director
A graduate of the Universities of Birmingham, Westminster, and Grenoble (France), Mary Jane Walsh is a producer and consultant in the British film and television industry. She has worked for Channel 4 TV, BBC TV, WNET/PBS, and BBC radio as well as for the British Film Institute, Edinburgh International Film Festival, National Film and Television School (UK), and the Screenwriters’ Studio. She has also served on various international film festival juries and as an elected member of the Council of the British Academy of Film and Television Arts (BAFTA). She has been running the NYU Tisch London Program since its inception in 1998.
Richard Williams, Arts in London
Has taught at Liverpool Hope and Manchester Universities and directed at many British drama schools. He was artistic director of the Oxford Stage Company, Liverpool Playhouse, and the Arts Theatre in London. He has directed over 200 productions, ranging from the West End to opera and children’s theatre, and his own plays have been produced professionally in London. He is the course director of Foundation Studies in Performance at the Drama Centre in London and associate artistic director at Anvil Arts Theatre in Basingstoke, England.
Mandie Wright, Studies in Shakespeare
Freelance theatre practitioner Mandie Wright has worked with the Royal Shakespeare Company (RSC) for over 15 years as an education associate. Recently, her role has included creating interactive web site resources (RSC Exploring Shakespeare), project-managing the RSC Teaching Shakespeare—Time for Change campaign leading to the current Stand Up for Shakespeare manifesto, and programming and leading the RSC Summer School and extension courses. In addition to a range of work with actors and other practitioners covering live events, recording work, and written projects she has also directed adult and undergraduate theatre studies, performing arts, and women’s studies courses. She is a drama consultant for the University of Worcester Post-Graduate Teacher Education Program. Latest publication: Teaching Drama: How to Be a Brilliant English Teacher (Routledge, 2005).